Welcome to the first edition of our LiverKick.com rankings. These rankings are an attempt to break down the top 25 fighters in two different weight classes - Heavyweight, for fighters above the 77kg limit, and Middleweight, for fighters at the 70-72.5kg limit. We'll be posting rankings on roughly a quarterly basis, with the inaugural Middleweight rankings out tomorrow. Before we discuss, I want to stress that all rankings are inherently subjective, and are sure to ruffle a few feathers. To be clear, our rankings are based on in-ring accomplishments and recent wins and loses, and as such, we hope they reflect where these fighters currently stand.
The biggest talking point here is likely the ascension of a new #1. Alistair Overeem, with only 14 pro kickboxing fights to his credit, rises to the top spot by becoming the 8th man to win the K-1 Grand Prix crown. Always a subject of controversy, many fans still view him as an outsider to kickboxing, and can't fathom The Reem as the #1 man. But with wins over Saki, Aerts, Hari, Teixeira and Spong, plus the GP victory, it's hard to place him elsewhere. Beyond that, there's also the question that if Overeem is not #1 - who is?
Also making a huge move up the ladder is Peter Aerts. Aerts looked like his time near the top was at an end just a few months ago, but with a history making win over Semmy Schilt, Aerts moves into the #2 spot. Glad to see the Dutch Lumberjack there one more time.
A few fighters are near the point of being removed from rankings due to inactivity - most notably #4 Remy Bonjasky. Bonjasky has not fought in over a year, and may have one last fight in him before retirement. If he doesn't announce another fight soon, it will be hard to keep him ranked. It's a similar case with the often unreliable #16 Ruslan Karaev, who likewise has not competed since the 2009 GP Finals. Finally, #15 Ashwin Balrak may be dropped out of the rankings, as his next few years could be spent behind bars after his 2010 cocaine bust.
Looking ahead, there are not a huge number of big heavyweight fights currently announced, which is always the case as the year ends. A few cards are worth noting though.
At Dynamite!! on Dec. 31, #7 Kyotaro will face Gegard Mousasi under K-1 rules. Also competing on that card are Overeem and #12 Jerome Le Banner, though both fights are under MMA rules.
January 30 marks the 2nd round in the Ultimate Glory world series event. This round of 4 includes #6 Gokhan Saki v. Wendell Roche, and #18 Brice Guidon v. #21 Mourad Bouzidi, with the winners meeting at the April 21 finals.
Finally, It's Showtime heavyweight champion #10 Hesdy Gerges has a busy time ahead of him. He faces #9 Daniel Ghita on March 6 in an absolute blockbuster of a fight, and Alexey Ignashov on July 3. That Gerges v. Ghita bout could be the biggest heavyweight fight of the next 6 months, though it could see some competition from the It's Showtime/K-1 Qualifying Grand Prix event on May 21 - no names yet announced for that show, but expect some big fights.
The sport of kickboxing is one that has been around for a while under different rules, names and appearances, but has gone through periods of interest and disinterest alike. Without a doubt kickboxing was at its highest point in Japan from the mid-90’s through the late 2000’s under the K-1 banner. K-1 was an undeniable force in combat sports that wowed fans all over the world and kept up its level of mystique. K-1 was a monolith in the combat sports world, a Japanese organization that seemed to always have a small stable of fighters that it promoted while rarely swapping them out for newer, younger talents.
Throughout the years K-1 earned some scorn and derision from fans and insiders, claims of corruption, fight-fixing and organized crime ties behind the scenes would eventually tear the organization apart, yet fans still came out in droves right up until the final gong. Now here we sit, just shy of five years after FEG’s K-1 imploded and we are watching organizations like GLORY, K-1 Global, K-1 Japan, Enfusion and SuperKombat struggle to gain traction in their respective markets. To many, it is a mystery to mull over why brands like GLORY haven’t caught on with more fans, but it seems clear as day what the key differences were between K-1’s glory days and the current marketplace is; creativity.
If you go back and watch the first K-1 World Grand Prix that was won by Branko Cikatic you can see the roots of what would become the K-1 that we knew and loved, yet something was missing. Branko was a fine fighter, but he wasn’t the type of fighter that the Japanese audience would fall in love with or be featured on television like many future K-1 champions would be. Everything from the lighting to the stage setup and presentation was good but not quite there yet. Then professional wrestling god Akira Maeda helped K-1 founder Kazuyoshi Ishii to meld professional wrestling ideals into the sport and everything changed.
Looking back at K-1’s list of champions and fighters that endured the passage of time as icons you’ll always find something to latch onto about these fighters. A young Peter Aerts was called the Dutch Lumberjack, entering the ring wearing a flannel vest and hat. Ernesto Hoost was called Mr. Perfect because of his immaculate technique and lived up the gimmick whenever he was on camera as the perfect fighter. Andy Hug was the karateka with a profound love and admiration for the Japanese culture so he was always seen in his signature gi in promotional videos and so on.
What I’m trying to say is that K-1 had characters. These characters were of course real-life fighters and maybe just small exaggerations of the fighters’ personalities, but each fighter that K-1 sunk considerate amounts of time and energy into marketing had a larger-than-life personality that when placed on a large stage was able to enthrall fans. Many have written off such things as simply “Japanese” and that they wouldn’t work anywhere else, but a cursory look around the world at the legions of fans of K-1 and those fighters shows just how effective that was.
I’ve heard the arguments as to why this current crop of kickboxing stars can’t be presented in that way, everything from “well, they aren’t as charismatic” to “fans want real, not manufactured hype,” but the proof is in the pudding. Chi Lewis Parry has been one of the fighters that GLORY has been heavily marketing in part due to just how much he can talk. When Chi Lewis Parry opens his mouth people listen, which is part of the magic of Chi Lewis Parry. I’m not sure that he’s ready for Rico Verhoeven just yet, but he’s found himself an audience much like Chael Sonnen did years ago and how Conor McGregor has done in the UFC recently. Chi Lewis Parry’s talent hasn’t been nurtured or curated, though, just thrust at the screen once discovered without much thought put into it.
A large part of what made K-1 so successful has to be on the shoulders of Kazuyoshi Ishii, who had the vision and talent to find these personality traits in his fighters and to amplify them. Peter Aerts was nowhere near the level of a talker as a Chi Lewis Parry or a Conor McGregor, yet he made a ton of money for K-1 and became a world famous personality off of being the “Dutch Lumberjack” and later “Mr. K-1.” In fact, Aerts is rather soft-spoken and is one of the kindest guys that you’ll ever talk to who enjoys laughing and not taking himself too seriously, yet fans were always invested in Aerts.
That was the magic of K-1. You didn’t need to be Bob Sapp to become a star. In fact, while fighters like Bob Sapp who could talk and looked imposing did great business for K-1, they wouldn’t last because of the lack of talent. Where K-1 really shined was finding legitimately talented fighters and building them into something special. In fact, there was one great project near the end of K-1’s run that deserves special attention; Alistair Overeem.
Overeem was a moderately successful MMA fighter with an imposing physique, vicious knees and a great standing guillotine that never seemed to really catch on with fans. Yet, somehow, in 2008 after wins over Paul Buentello, Mark Hunt and a draw against Mirko Cro Cop he was brought into K-1 to fight their golden boy Badr Hari on New Year’s Eve. Badr Hari was coming off of a rather embarrassing display where he essentially imploded under the pressure during the K-1 World Grand Prix Finals against Remy Bonjasky and got himself disqualified, so K-1 thrust him into a New Year’s Eve freakshow fight to defend the honor of K-1 against the MMA world’s Overeem. The thing is, Overeem knocked Badr Hari out and all hell broke loose.
Alistair Overeem is a relatively quiet, soft-spoken guy. In fact, he’s a pretty nice dude for a guy who is as muscular and scary in the ring as he is. The cocky Badr Hari who had just earlier in the month lost the K-1 World Grand Prix via disqualification was there to get his win back, to get back on track and regain face after his in-ring meltdown, but instead a new star was born in Overeem. Overeem tried his hand against the K-1 World Grand Prix Champion of Remy Bonjasky a few months later and looked scary, but ultimately lacking experience against a tactician like Bonjasky and dropped a decision. That wasn’t the end of Overeem in K-1, oh no, not by a longshot.
The K-1 marketing machine quickly went to work with Overeem, producing perhaps one of the most amazing hype videos that I’ve ever seen for a fighter leading into the K-1 World Grand Prix Final 16. This video showed Overeem on the streets of Holland with his signature mallet that he used to bring to the ring with him smashing a bike into pieces. It encapsulated the fury that we saw in the ring from Overeem, the raw power and emotion that he brought into fights without him having to cut an eloquent interview. After smashing a bike and a camera tripod he pointed to the camera, took a few deep breaths and uttered “Everybody’s gonna die.”
It was beautiful. I remember seeing it at the time and just being awestruck by it. Alistair Overeem held a victory over Badr Hari and nearly defeated then-champion Remy Bonjasky and was going to fight the legend Peter Aerts in the K-1 World Grand Prix Final 16. Overeem was being billed as the outsider, the invader who was looking to usurp the throne that was always held by the best kickboxers in the world for his own. It was a simple, effective narrative that was only exacerbated when he defeated Peter Aerts in the Final 16, securing his spot in the K-1 World Grand Prix.
K-1 did a series of vignettes with Overeem leading up to his entry into the K-1 World Grand Prix, focusing on his raw strength and his crazy, unorthodox training in Holland. While all of that was good, perhaps what was the most effective was showing him eat. Sounds weird, right? But Alistair Overeem is a huge dude who needed a lot of protein and when they sent a camera crew to show him cooking his own food and talking about how he ate horsemeat for its protein value, well, everyone went nuts. Alistair Overeem filmed inside of a tiny Dutch kitchen that he could barely fit inside of cooking horse steaks to prepare for the K-1 World Grand Prix was an image that endures to this day as one of the defining moments in the career of “Ubereem.”
His first fight was to be against the Kyokushin fighter from Brazil that was popular in Japanese karate circuits in Ewerton Teixeira. Teixeira was always a skilled guy who wasn’t the most exciting fighter to watch, but he connected well enough with fans and filled an important role for the organization by representing Kyokushin. The video package that they created leading into that fight hammered home their narrative of Overeem being an “invader” from MMA, showing highlights from his fights with Badr, Remy and Aerts. The visual of Overeem literally bullying around the K-1 legend Peter Aerts and tossing around Remy Bonjasky was a powerful one, so was the interview footage of Badr Hari talking about his loss to Overeem. They also sowed the seeds of Overeem vs. Badr Hari meeting again in the tournament in a rematch for the ages, which played a big role in the 2009 K-1 World Grand Prix.
Overeem scored an absolutely brutal knockout on Ewerton Teixeira with a clinch knee, which helped to lead to the legend of the UBERKNEE and only made Overeem look that much stronger heading into the semifinals against Badr Hari. The rematch with Badr Hari was the story of the show, by far, which overshadowed what would become another Semmy Schilt victory. The real story of the show was that Alistair Overeem’s stock was on the rise and that it was part skill and talent and part marketing and narrative-building. This fight was the culmination of a lot of work and storytelling where a lot of credit should go to Michael Schiavello’s absolutely brilliant narrative-driven call throughout this event.
I’ve heard many a fan decry Schiavello, Sefo and Kogan’s call during that match, or their celebration on-camera after the fight as “cheesey” or “unprofessional,” but the reality was that they were genuinely excited and engaged in the narrative, as was the entire crowd. That finish still gives me chills to this day because of just how perfect of a moment it was. The thing is, I’ve heard a lot of people say that narratives in combat sports are “impossible” because of the unpredictable nature of people getting hit in the face, but the truth is that a deft storyteller will find a way to weave a complex narrative that can be altered along the way to be just as effective.
Due to Badr Hari once again losing his cool in the ring in 2010 he was on a bit of a sabbatical from the sport, leaving the 2010 K-1 World Grand Prix wide open for new blood. The tournament saw a lot of top names involved, including newer names like Tyrone Spong and Gokhan Saki becoming dark horses to win the entire tournament and to bring new blood into the K-1 lineage. K-1 continued their push for Overeem, though, pushing the narrative of Overeem more focused than ever on K-1, but still slightly arrogant and the outsider heading into the 2010 K-1 World Grand Prix.
They focused on his raw strength as one of his selling points. We know in combat sports that raw strength and physique aren’t what makes a fighter “good,” but by pushing this narrative they kept building up Overeem as a larger-than-life character, even having him talking about how he grew up watching Hulk Hogan in WWF.
Overeem, of course, would go on to win the K-1 World Grand Prix, becoming one of the most famous fighters in Japan. His stock also rose within the United States as well, with more and more fans calling for him to step back into the Strikeforce cage to defend the Strikeforce Heavyweight Championship, maybe even go to the UFC and challenge Brock Lesnar in a dream match. In fact, Overeem now had an aura about him when he stepped into the ring. He was the K-1 World Grand Prix Champion and that not only meant something, it meant everything at the time.
Regardless of your opinion of Alistair Overeem, K-1 took a fighter that was talented and driven and helped to push him beyond the level that he was at the time. They helped to make him a star and a featured attraction that they were drawing money off of up until scandal struck and the company lost their television deal and ultimately disintegrated.
Alistair Overeem is simply the last example of starbuilding that K-1 did and how that work that they did on pushing Overeem’s larger-than-life character was able to carry over after his K-1 career and help to build him up to be a living legend in combat sports. Anything that happened after is immaterial, of course, but he was still elevated in part by K-1’s huge push that endeared him to fans across the world. If you were to ask me what is missing from modern kickboxing that K-1 was able to do the answer is simple; they built stars. They made fans care about their fighters while transforming them into characters and building narratives around their fights.
It didn’t matter if these characters won or lost, they were still verifiable draws for K-1 and vital parts of the K-1 ecosystem. Peter Aerts, Ernesto Hoost, Jerome Le Banner, Andy Hug, Ray Sefo and many other fighters won and lost in the K-1 ring but it never mattered because they’d come back and get another chance. They’d get another chance and K-1 would weave stories about these fighters and their upcoming fights that made fans genuinely interested in seeing what came next. These narratives didn’t need to be perfect, they just needed to exist.
That doesn’t exist today. Instead we get training footage, cut-and-dry interviews and a focus on who won and who lost, not the humanity behind who won or lost. Not the story. If you treat a fighter who lost like a human being and tell their story the chances of fans being interested in their next fight is only going to increase. This is why fighters like Aerts and Hoost could have thirty year long careers that included crushing losses but still attract fans to this day.
The sport of kickboxing drew on not just the physical aspect of the sport, but it drew and thrived off of the creativity of the sport. Kickboxing thrived not just by having a good, rock ‘em, sock ‘em product, but by molding fighters into larger-than-life characters that played off of their personalities. It thrived by created narratives for each and every fight to appeal to fans and didn’t rely on fighters to sell their own fights. Kickboxing helped to build these fighters into box office and television attractions and was never left with cards that delivered in action but drew no eyes.
So my answer to the question that is floating around right now as to “Why aren’t fans attracted to kickboxing?” Simple, nobody is doing anything to make fans care.
There have been rumors since the announcement of the Strikeforce Heavyweight GP that Strikeforce's head honcho Scott Coker had plans on running a leg of the Strikeforce Heavyweight GP in Japan, of all places. He wants this tournament to have a "global" feel to it, and running in a new market like Japan seems like a no-brainer.
I really haven't given this much thought, as it seemed like big plans with no follow-through. Especially after Coker had all of this big talk about running Cowboys Stadium in Texas, a feat that a Manny Pacquiao fight sold 50,000+ tickets to. A bit of insanity if you ask many, as UFC has yet to even approach such a large stadium. Japan, on the other hand, seems to be a very real possibility. On Tuesday night I spoke with MMA Torch about the announcement from the UFC in regards to their "Japanese expansion" and Jamie surprised me with a question about Strikeforce running Japan.
Honestly, Strikeforce has a much better chance of running Japan than the UFC does, this year next year or after. The logic behind this is very, very simple, but also very solid. The big thing is that to run in Japan, you have to be ready to make concessions and promote in Japan. UFC's expansion is, well, underwhelming. They have an obscure pay-TV network they run on and will now feature some mobile video services, but none of this is very interesting to fans in Japan. Without live shows, a broadcast television network and some star power the UFC has no real hopes. Their attitude of "all or nothing" will be their achilles heel in Japan.
Strikeforce, though, seem to know what it means to do business in Japan, and according to ESPN.com's Josh Gross, Scott Coker is planning to meet with Real Entertainment to discuss an April 9th event. When I spoke with MMA Torch, I explained that the only real way for Strikeforce to promote in Japan would be to work with another company, and with FEG's future uncertain, the DREAM partner company, Real Entertainment made perfect sense. Real has fighter contracts (most of the DREAM fighters), production staff, television partners, sponsors and a lot more.
If you take into account fighters like Fedor Emelianenko, Alistair Overeem, Josh Barnett, Antonio Silva, Fabricio Werdum and Sergei Kharitonov, all of these fighters have established name value in Japan. For Fedor Emelianenko this would be a grand homecoming for him. For Alistair Overeem this would be the K-1 and DREAM Champion fighting in his home away from home turf. Also consider that Satoshi Ishii could have a Strikeforce contract by then and that Tatsuya Kawajiri just defeated Josh Thomson at Dynamite!!, so a possible bout between Kawajiri and Gilbert Melendez could be big for Japanese fans as well.
Strikeforce also seems to be considering working with Real Entertainment even more, says Gross. Real Entertainment is going to take some of those fighter contracts that they have and with Strikeforce's help, put on a Lightweight tournament, with our without DREAM. It looks like Strikeforce is taking Japan seriously and are willing to "play ball." Now, if it will pan out financially for them, that is another story for another day (or another site, like FightOpinion.com).
As our astute readers are well aware now, the bad boy himself, Badr Hari, has become a bit of a celebrity of late in the celeb gossip columns in Europe for his affair with Dutch soccer legend Ruud Gullit's wife, Estelle. Many doubted the validity at first, but Estelle herself has come out and discussed it and even spoke about the two being in love. This apparently came as a shock to his former girlfriend, Daphne, as she had just given birth to their child five weeks ago. Up until last week when the news about Badr and Estelle became public, Daphne was very serious about her relationship with Badr and was planning on their family life together, and is now understandably upset.
It is unclear if Badr has spoken to her at all, as there was a statement issued through a representative of his saying he understood that she is upset and promises to help raise their child.
Many fans have been looking for answers when it comes to his recent performance just three weeks ago at K-1 Rising in Madrid. LiverKick had heard through a confidential source close to Hari that he had recently had a child with his girlfriend, but that the relationship was in trouble and plaguing him weeks prior. A gambling man would bet that issues like this dancing around in his head would not help him prepare for a fight or even participate in one. Heres hoping to a resolution to this and for Badr to be able to enter his next fight with a clear mind.
Welcome back to the LiverKick.com rankings. These rankings are an attempt to break down the top 10 fighters in three different weight classes - Heavyweight, for fighters above the 85kg limit, Middleweight, for fighters at the 70-72.5kg limit, and Lightweight, for fighters under 63kg. Our rankings are based on in-ring accomplishments and recent wins and loses. We hope they reflect where these fighters currently stand, although we recognize that all rankings are inherently subjective.
Jamal Ben Saddik
Heavyweight - January 2013
There is a phrase when it comes to Heavyweight Kickboxing and that phrase is "Heavyweights gonna Heavyweight," and that is exactly what we have seen over the past few weeks. There has been a lot of movement in the Heavyweight rankings due in part to the SuperKombat World Grand Prix Finals and then of course the Glory World Series Grand Slam tournament.
#1 Semmy Schilt once again cemented his spot at the very top of the sport by defeating four men in one night to take home yet another tournament crown. As always, our rankings tend to favor the tournament format for rankings as that is the standard for which Heavyweight kickboxing is weighed. That is the easiest way to explain that #2 Daniel Ghita holds steady at the number two spot. Ghita worked through three opponents in one night and lost to Semmy Schilt in the finals in a disputed decision. Surely there are lots of fans of #3 Gokhan Saki upset that Saki is not in the second spot, but the reality is that he did not make it to the finals, but was very close indeed. Saki put up a very good fight against Semmy Schilt and is slated to fight Daniel Ghita in April.
#4 Rico Verhoeven earned his spot over the past year, where his inclusion on the rankings was always based on a win over Hesdy Gerges, who was ranked due to a DQ win over Badr Hari. Verhoeven has without a doubt proven his mettle and was only ousted by Schilt. #5 Jamal Ben Saddik is the guy who really threw a wrench in everyone's plans by making it to the semi-finals. There will be some dispute that he belongs above Rico, but the loss to Jafhar Wilnis does weight heavily on him right now. He still has shot onto the rankings in a heartbeat and should be here to stay.
#6 Tyrone Spong actually opted not to participate in the tournament for whatever reason, so he does not move, but he faces a still unranked Remy Bonjasky soon, which could change things. #7 Hesdy Gerges is in the same boat, except he is fighting for K-1 and no one is clear when his next high level fight will be. The big upset was for #8 Errol Zimmerman who went from being in the top 5 to slipping to the eighth spot after his loss to Jamal Ben Saddik. The next two are courtesy of the SuperKombat WGP where #9 Pavel Zhuravlev made sure that Benjamin Adegbuyi was knocked out of the rankings and secured himself a spot in the top. Then came #10 Freddy Kemayo who won a reserve fight over the formerly ranked Sergei Laschenko who continues his downward spiral.
I've finally had a chance to sit down and watch Dynamite!! and there is a lot to say reflecting upon the events from that show. There has been a bit of an ongoing debate over the "level" of K-1 strikers and how they compare to MMA strikers. The general fallout from the internet seems to be that the disparity between K-1 kickboxers and MMA fighters is slim, with K-1 fighters being overrated by fans and the talent pool being shallow at this point in time.
Of course, it didn't help that at Dynamite!! we saw Gegard Mousasi take K-1 Heavyweight Champion Kyotaro to the distance and win the fight via decision. Mousasi even scored a few knockdowns, and this comes off the heels of his 2008 victory over Musashi.
The year 2010 was also the year that saw Alistair Overeem, a fighter primarily known for competing in Mixed Martial Arts take home kickboxing's most coveted prize; the K-1 World Grand Prix Championship. Overeem has long been an interesting topic for debate; is he good? Is he just alright? Do his poor Light Heavyweight performances from a few years ago reflect upon him now? What lengths has he gone to improve his performance? If he isn't that good of a striker, what does it say about K-1 competition?
The truth is, kickboxers are being beaten at their own game. Overeem holds wins over Badr Hari, Peter Aerts (twice), Ewerton Teixeira, Dzevad Poturak, Tyrone Spong and Gokhan Saki. That list is impressive and contains some of K-1's best fighters. Mousasi only holds two K-1 victories, over an aging and ready to retire Musashi and a sluggish if not exhausted from competing weeks before Kyotaro, but is still being used as an example of a MMA fighter making K-1 look bad.
It seems foolish and unfair to label these fighters as either this or that. What really makes a fighter? Alistair Overeem has been training kickboxing since he was a teenager, making his pro debut at age 17 before switching over to MMA. Gegard Mousasi began his career as a boxer and kickboxer, transitioning to MMA and using his judo background combined with his striking prowess to be successful.
As we saw at Dynamite in Satoshi Ishii vs. Jerome Le Banner and Hideo Tokoro vs. Kazuhisa Watanabe, a striker moving into MMA put in grappling situations can be easily lost and frustrated, while a MMA fighter put in a pure striking situation can appear to be competent.
To use Gegard Mouasasi and Alistair Overeem as examples of Mixed Martial Artists "clowning" K-1 kickboxers is crass and an exercise in semantics at best. As I posed before, what really makes a fighter? Do the fact that both fighters' records in MMA are more prolific mean that they are Mixed MArtial Artists, or does the fact that they began as strikers mean that they are strikers that adapted a grappling game for Mixed Martial Arts, found success in MMA and stuck with it?
Both men train at kickboxing gyms with some of the best kickboxers in the world (Mousasi trains with Golden Glory when preparing for fights). The Golden Glory gym is primarily a kickboxing gym, while they train MMA fighters, they will always be known (rightfully so) as one of the best kickboxing gyms in the world. To me, Alistair Overeem's affiliation with Golden Glory just speaks of how serious he is about his striking.
Kickboxing and Muay Thai are arts in and of themselves and are incorporated, at least partially, into Mixed Martial Arts. If someone wants to make this argument maybe the survey field needs to grow; take a fighter who grapples as their primary art, toss them into a ring with Kyotaro or an injured Gokhan Saki or Peter Aerts and see how they fare. Rinse, repeat, because we all know a survey from a shallow test field does not yield exact results.
There are very few MMA fighters that I consider an all-time favorite of mine, as I tend to prefer the exciting, intelligent striker who can handle himself on the ground. There are a lot of good strikers who have made the move to MMA, but a lot tend to play it safe or have no real ground game to speak of, but then there is Wanderlei Silva. Wanderlei did not make a huge impression on me at first in his UFC fights, he was pretty good at the time, but the Tito Ortiz fight was enough to make me forget about him for a while.
So you can only imagine how I felt in 2001, yeah over a year later, when I saw him again in PRIDE and saw the absolutely path of carnage and destruction that lay in his path; I was hooked. The wrist roll, the stare of a madman, the crazy, brawling Chute Boxe Muay Thai and the ability to defend himself on the ground and work his way back to his feet to continue to symphony of violence. From 2000 until 2005 Wanderlei Silva was an absolute machine. If there ever was a fighter that I could get behind it was Wanderlei Silva.
As I'm sure you can imagine, since he moved over to a much more local fight scene in the United States, it has been a lot more difficult to be a Wanderlei Silva fan. Since his return to the UFC Wanderlei has a 2 - 3 record with only one knockout under his belt and doesn't seem to be moving as fast or hitting as hard. Lot's of people will say that Wanderlei was simply not that great, as he is a mere 34 years old right now, but to that I argue the man started his fighting career training at age 13 and was fighting within the next year of his life and has not slowed down since. He peaked before moving to the UFC and you have to be comfortable with that.
Enter the Voice Versus Wanderlei Silva. The latest in HDnet's interview series with Michael Schiavello. Unlike Fighting Words with Mike Straka, which tends to err on the side of serious journalism, the Voice Versus is a more friendly sit-down interview style that feels like a conversation between old friends. It doesn't matter if Schiavello has only met each fighter in passing or is good friends with him, his demeanor, tone and candor makes it so fighters can feel at home with him, as does his knowledge of each fighter's history and of tall tales. There is nothing different when it comes to the Wanderlei Silva episode as he discusses coming up in Brazil, the origins of his name, that Jiu-Jitsu photo of him being lovingly embraced by Shogun Rua and Wanderlei customizing Schiavello's head with a Team WS tattoo.
What really comes through loud and clear is how nice of a guy Wanderlei is, he talks about how he has to build up a rage inside of him when he fights and how the adrenaline changes him, but the man himself is gentle, quiet and very funny. Seeing "the Axe Murderer" in a setting like this is refreshing, as you get to see just how much he enjoys laughing and telling stories about the legendary Chute Boxe gym and how he considers most of the fighters he has faced and knocked out our been knocked out by as good friends now. Did you know that Kazushi Sakuraba calls Wanderlei up at 2am to discuss fights? Because he does. We also see that Wand has no desire to do kickboxing post-UFC, as he understands they are entirely different sports and he is not prepared to fight high level strikers.
So do yourself a favor and tune in on Friday Night at 8pm Eastern for the Voice Versus Wanderlei Silva on HDnet.
With K-1's stunning silence throughout the year 2011 there is no doubt that Dutch promotion It's Showtime has picked up the slack that K-1 left and then some. It's Showtime has grown from a smaller organization that promoted a few scattered events, which from 1999 until 2004 involved one big event a year, which eventually turned into one big event at the Amsterdam ArenA until 2005 when the promotion decided to branch out and run more events. In 2005 they held a series with Gentlemen's Promotion that revolved around a massive 75kg tournament. The next year saw them co-promote with K-1 for the first time in what turned into a longstanding and beneficial relationship for both sides until recently, when K-1 fell upon massive financial woes and It's Showtime decided to move forward in the wake of K-1's absence.
This year is primed to be It's Showtime's biggest year yet, with last year holding 7 events and this year having 6 events already on their calendar and another three to four events in the works, but it doesn't stop there. LiverKick.com has been speaking with It's Showtime officials for a while now, and have understood that It's Showtime was not just happy with European expansion and was indeed looking to expand into the United States. This led to talks with a few television stations and promotional partners, some deals falling apart and then some rumors over the past week of big things brewing for It's Showtime.
Simon Rutz is no fool, as can be seen with the gradual growth of It's Showtime over the past 12 years. It's Showtime was not simply looking for a television deal for the United States, they were looking for promotional partners. Like we've seen with all of It's Showtime's recent events, they partner up with another company for all of their shows; BFN Group, Fight Group, Fighting Stars, Oktagon and even individuals like Yiannis Evgenikos and Kader Marouf. They wanted nothing different when it came to the United States and would not even think about promoting shows here without strong support from another promotion or entity, the same goes with television. They simply did not want to be on television, they wanted a working partnership that would expand the company.
We've dug pretty deep and found out that It's Showtime and HDnet finalized a deal earlier this week that will change the kickboxing world as we know it. It's Showtime has been added to HDnet's fight library, starting as soon as the May 14th Lyon, France show. That event will be aired on the following Friday at 11pm Eastern time. It is not airing live because of the short notice for the deal working itself out. We do know that Michael Schiavello is in Lyon, France right now most likely to commentate live on the event. To say that HDnet is going to give It's Showtime the "K-1 treatment" is an understatement.
Multiple sources have claimed that HDnet actually went and bought It's Showtime, or at least bought into the company. It was announced today that HDnet will begin airing It's Showtime immediately, through an agency called Fighting Spirit. LiverKick.com has also learned that HDnet is very interested in possibly purchasing K-1 to add to their stable of original programming. HDnet has aired K-1 in the past, but this would be different. K-1 has been having financial problems and many have been critical of their management, HDnet would look to have the legendary promotion turn a corner and help fully realize its potential in the United States.
UPDATE: Andrew Simon clarified that HDnet has only purchased the rights to It's Showtime in the U.S., not outright purchasing the promotion. They will work with the promotion to promote the shows, but won't hold an actual stake in it. As for K-1, HDnet will look to possibly further air their programming when live programming is available.
GLORY Lightweight Champion has been training in Mixed Martial Arts for a while now, that much has been widely reported throughout the MMA blogsphere as when it comes time to talk about an MMA fighter's credentials, saying stuff like "training with a killer kickboxing champion" makes for an interesting story (while actually covering kickboxing does not, apparently). So we've known for a while that van Roosmalen has been training in Florida with sights set on taking the journey that many other kickboxing champions have made by wading into the pool of Mixed Martial Arts.
The result was a positive one for van Roosmalen, although it's fair to note that he did look a bit rough in the grappling department as many high level kickboxers tend to look when they work their way into MMA. Unlike someone like Verhoeven who fights in the less talent-rich heavyweight division and could have a greater deal of success with less refinement, van Roosmalen chose to cut weight down to Featherweight for his MMA debut. Featherweight and Lightweight, the two divisions that he'd be competing in, tend to be more talent rich and full of talent all throughout the world and the grappling of a 6-5 fighter in Anthinodoros Michailidis gave him some serious trouble in the opening round.
That doesn't mean that there isn't room for improvement, but it's difficult to see such a talented champion like him struggle like that, especially with kickboxing's at times tenuous grasp on convincing hardcore fans that this current crop of fighters is as elite as the previous generation.
Welcome back to the LiverKick.com rankings. These rankings are an attempt to break down the top 10 fighters in three different weight classes - Heavyweight, for fighters above the 85kg limit, Middleweight, for fighters at the 70-72.5kg limit, and Light Heavyweight, for fighters at the 77-84kg limit. Our rankings are based on in-ring accomplishments and recent wins and loses. We hope they reflect where these fighters currently stand, although we recognize that all rankings are inherently subjective.
We've decided to take a different approach to the rankings, in the past Fraser Coffeen handled them, but as many are aware, Fraser has since had to step down from his responsibilities at LiverKick.com and has since moved on to other ventures. Our Top 10 list a while back moved on to being a top 25 to reflect a uniformity with our then home of SBNation. We've decided to move back to only including the Top 10 and to opt for the inclusion of Light Heavyweight (77kg - 84kg) to reflect the depth of talent in that weight class.
That means there were some very pronounced changes to the 70-72.5kg rankings. Part of the move to adding a 77kg ranking is certain fighters, Nieky Holzken in particular, will be absent from the 70kg rankings, and others will be moving up to reflect the changes. Of course no one will usurp #1 Giorgio Petrosyan, as he has earned his spot as the top Middleweight in the world. He'll have to prove his mettle once again in his third big tournament this year with It's Showtime running a huge 70kg tournament later this year. Petrosyan's next challenge is #10 HINATA. HINATA has been fighting for REBELS in Japan, who has just announced will become a part of It's Showtime Japan, and the first bout to promote the name will be Petro vs. HINATA.
The #2 spot was a lot tougher to choose, as #3 Buakaw Por Pramuk does hold his victory in the 2010 S-Cup, but he also has no major kickboxing bouts on his plate as of right now. He has re-focused on Muay Thai, mainly in the Thai Fight promotion. #2 Andy Souwer has stayed active in the thick of the action, and while there are some head-scratchers of losses on his record, he has solid wins over top competition in 70kg as well as over fighters from the 77kg division. #4 Mike Zambidis has had an incredible career resurgence of late. Last year he made it to the Finals of the K-1 World MAX tournament and has continued in his winning ways this year, including a 4-man tournament recently.
The #5, #6 and #7 spots were a lot more difficult to decide, as Artur Kyshenko, Sudsakorn and Yoshihiro Sato have all had their ups and downs within the division. Kyshenko is clearly the front-runner out of the three fighters, with Sudsakorn making a very calculated and successful approach on the international scene over the past few years. Sato has had a few tough losses, including one to Andy Souwer that keep him in the top 10 but make it a lot easier for him to slip.
#8 Chris Ngimbi will be a part of It's Showtime's upcoming tournament and many are outwardly calling for Ngimbi to fight Giorgio Petrosyan, just to see the It's Showtime 70kg MAX title around the waist of an undisputed champion. Ngimbi has successfully defended his title in an incredible fashion at It's Showtime Lyon with a flying knee KO on Willy Borrel. Many feel that Petrosyan is clearly the top fighter and to have a fighter like Ngimbi holding the title makes little sense, but Ngimbi has the skills, passion and power to make a run at the top, and all will be decided later this year in It's Showtime's tournament.
Both #9 Albert Kraus and #10 HINATA are top level fighters who have had some struggles of late, losing to some lower-ranked competition while holding their own against top competition. Both men are far from done and continue to prove in every fight that the 70kg division is a deep division with a lot of talent. HINATA challenges Petrosyan over the summer. Kraus should, without a doubt be a lot higher in the rankings, as his only losses over the past two years come by the way of Giorgio Petrosyan for top competition, then comes the head scratcher. His loss to Bhatu Khasikov hurts him immensely. Bhatu is still young and a relative unknown, plus the judging in the fight seemed less-than-fair. Regardless, it is a mark of shame on Kraus's record for the time being, which can be avenged with wins over some top 5 competition.