After perhaps one of the most legendary careers in the sport of kickboxing, the trailblazing Peter Aerts has finally hung up the gloves. Aerts, originally promoted to be retiring at GLORY 13 wasn't too pleased with being pushed into retirement when he didn't quite feel ready for it just yet. Aerts has been aware of father time since at least 2012 when he first started planning his retirement, with the bout against Tyrone Spong being his "BeNeLux retirement."
Since then it has all been about winding down and while Aerts was scheduled to participate in the BLADE.2 event in Japan on August 1st, yesterday at a press conference in Japan he instead sent along a video announcing his retirement. He had sustained a few injuries after his last fight with Ernesto Hoost and has had difficulties getting back into fighting shape and recovering, which has pushed him to finally retire. He will now focus on training fighters and building up the next generation of kickboxers.
For me, personally, it is tough to see the end of the Aerts era considering he was the first fighter that really caught my eye as a kid. After watching Aerts' first K-1 World Grand Prix victory I was hooked for life. That being said, it is all about safety and health. Aerts has a family and a gym right now and leaves behind a legacy as one of the all-time greats of the sport. My favorite memory of the past few years will still be Aerts making it to the finals of the 2010 World Grand Prix against Alistair Overeem and having that feeling that anything could happen, that Aerts could win it one last time. That was the kind of magic that Peter Aerts brought to the ring with him.
There is so much history between Peter Aerts and Ernesto Hoost, with most of it taking place in the K-1 ring. This weekend in Japan the two will meet in a WKO ring; World Kumite Organization. It doesn't matter if you haven't heard of it before, it doesn't matter if both Aerts and Hoost are older, this is pure nostalgia on so many levels and a chance for a final in-ring chapter to play out between two of the all-time greats in K-1 history.
Most of our attention over the past few years has been on the future and present stars, but it is safe to say that most of us wouldn't be here right now as fans if it weren't for Peter Aerts and Ernesto Hoost.
Welcome to the first edition of our LiverKick.com rankings. These rankings are an attempt to break down the top 25 fighters in two different weight classes - Heavyweight, for fighters above the 77kg limit, and Middleweight, for fighters at the 70-72.5kg limit. We'll be posting rankings on roughly a quarterly basis, with the inaugural Middleweight rankings out tomorrow. Before we discuss, I want to stress that all rankings are inherently subjective, and are sure to ruffle a few feathers. To be clear, our rankings are based on in-ring accomplishments and recent wins and loses, and as such, we hope they reflect where these fighters currently stand.
The biggest talking point here is likely the ascension of a new #1. Alistair Overeem, with only 14 pro kickboxing fights to his credit, rises to the top spot by becoming the 8th man to win the K-1 Grand Prix crown. Always a subject of controversy, many fans still view him as an outsider to kickboxing, and can't fathom The Reem as the #1 man. But with wins over Saki, Aerts, Hari, Teixeira and Spong, plus the GP victory, it's hard to place him elsewhere. Beyond that, there's also the question that if Overeem is not #1 - who is?
Also making a huge move up the ladder is Peter Aerts. Aerts looked like his time near the top was at an end just a few months ago, but with a history making win over Semmy Schilt, Aerts moves into the #2 spot. Glad to see the Dutch Lumberjack there one more time.
A few fighters are near the point of being removed from rankings due to inactivity - most notably #4 Remy Bonjasky. Bonjasky has not fought in over a year, and may have one last fight in him before retirement. If he doesn't announce another fight soon, it will be hard to keep him ranked. It's a similar case with the often unreliable #16 Ruslan Karaev, who likewise has not competed since the 2009 GP Finals. Finally, #15 Ashwin Balrak may be dropped out of the rankings, as his next few years could be spent behind bars after his 2010 cocaine bust.
Looking ahead, there are not a huge number of big heavyweight fights currently announced, which is always the case as the year ends. A few cards are worth noting though.
At Dynamite!! on Dec. 31, #7 Kyotaro will face Gegard Mousasi under K-1 rules. Also competing on that card are Overeem and #12 Jerome Le Banner, though both fights are under MMA rules.
January 30 marks the 2nd round in the Ultimate Glory world series event. This round of 4 includes #6 Gokhan Saki v. Wendell Roche, and #18 Brice Guidon v. #21 Mourad Bouzidi, with the winners meeting at the April 21 finals.
Finally, It's Showtime heavyweight champion #10 Hesdy Gerges has a busy time ahead of him. He faces #9 Daniel Ghita on March 6 in an absolute blockbuster of a fight, and Alexey Ignashov on July 3. That Gerges v. Ghita bout could be the biggest heavyweight fight of the next 6 months, though it could see some competition from the It's Showtime/K-1 Qualifying Grand Prix event on May 21 - no names yet announced for that show, but expect some big fights.
The sport of kickboxing is one that has been around for a while under different rules, names and appearances, but has gone through periods of interest and disinterest alike. Without a doubt kickboxing was at its highest point in Japan from the mid-90’s through the late 2000’s under the K-1 banner. K-1 was an undeniable force in combat sports that wowed fans all over the world and kept up its level of mystique. K-1 was a monolith in the combat sports world, a Japanese organization that seemed to always have a small stable of fighters that it promoted while rarely swapping them out for newer, younger talents.
Throughout the years K-1 earned some scorn and derision from fans and insiders, claims of corruption, fight-fixing and organized crime ties behind the scenes would eventually tear the organization apart, yet fans still came out in droves right up until the final gong. Now here we sit, just shy of five years after FEG’s K-1 imploded and we are watching organizations like GLORY, K-1 Global, K-1 Japan, Enfusion and SuperKombat struggle to gain traction in their respective markets. To many, it is a mystery to mull over why brands like GLORY haven’t caught on with more fans, but it seems clear as day what the key differences were between K-1’s glory days and the current marketplace is; creativity.
If you go back and watch the first K-1 World Grand Prix that was won by Branko Cikatic you can see the roots of what would become the K-1 that we knew and loved, yet something was missing. Branko was a fine fighter, but he wasn’t the type of fighter that the Japanese audience would fall in love with or be featured on television like many future K-1 champions would be. Everything from the lighting to the stage setup and presentation was good but not quite there yet. Then professional wrestling god Akira Maeda helped K-1 founder Kazuyoshi Ishii to meld professional wrestling ideals into the sport and everything changed.
Looking back at K-1’s list of champions and fighters that endured the passage of time as icons you’ll always find something to latch onto about these fighters. A young Peter Aerts was called the Dutch Lumberjack, entering the ring wearing a flannel vest and hat. Ernesto Hoost was called Mr. Perfect because of his immaculate technique and lived up the gimmick whenever he was on camera as the perfect fighter. Andy Hug was the karateka with a profound love and admiration for the Japanese culture so he was always seen in his signature gi in promotional videos and so on.
What I’m trying to say is that K-1 had characters. These characters were of course real-life fighters and maybe just small exaggerations of the fighters’ personalities, but each fighter that K-1 sunk considerate amounts of time and energy into marketing had a larger-than-life personality that when placed on a large stage was able to enthrall fans. Many have written off such things as simply “Japanese” and that they wouldn’t work anywhere else, but a cursory look around the world at the legions of fans of K-1 and those fighters shows just how effective that was.
I’ve heard the arguments as to why this current crop of kickboxing stars can’t be presented in that way, everything from “well, they aren’t as charismatic” to “fans want real, not manufactured hype,” but the proof is in the pudding. Chi Lewis Parry has been one of the fighters that GLORY has been heavily marketing in part due to just how much he can talk. When Chi Lewis Parry opens his mouth people listen, which is part of the magic of Chi Lewis Parry. I’m not sure that he’s ready for Rico Verhoeven just yet, but he’s found himself an audience much like Chael Sonnen did years ago and how Conor McGregor has done in the UFC recently. Chi Lewis Parry’s talent hasn’t been nurtured or curated, though, just thrust at the screen once discovered without much thought put into it.
A large part of what made K-1 so successful has to be on the shoulders of Kazuyoshi Ishii, who had the vision and talent to find these personality traits in his fighters and to amplify them. Peter Aerts was nowhere near the level of a talker as a Chi Lewis Parry or a Conor McGregor, yet he made a ton of money for K-1 and became a world famous personality off of being the “Dutch Lumberjack” and later “Mr. K-1.” In fact, Aerts is rather soft-spoken and is one of the kindest guys that you’ll ever talk to who enjoys laughing and not taking himself too seriously, yet fans were always invested in Aerts.
That was the magic of K-1. You didn’t need to be Bob Sapp to become a star. In fact, while fighters like Bob Sapp who could talk and looked imposing did great business for K-1, they wouldn’t last because of the lack of talent. Where K-1 really shined was finding legitimately talented fighters and building them into something special. In fact, there was one great project near the end of K-1’s run that deserves special attention; Alistair Overeem.
Overeem was a moderately successful MMA fighter with an imposing physique, vicious knees and a great standing guillotine that never seemed to really catch on with fans. Yet, somehow, in 2008 after wins over Paul Buentello, Mark Hunt and a draw against Mirko Cro Cop he was brought into K-1 to fight their golden boy Badr Hari on New Year’s Eve. Badr Hari was coming off of a rather embarrassing display where he essentially imploded under the pressure during the K-1 World Grand Prix Finals against Remy Bonjasky and got himself disqualified, so K-1 thrust him into a New Year’s Eve freakshow fight to defend the honor of K-1 against the MMA world’s Overeem. The thing is, Overeem knocked Badr Hari out and all hell broke loose.
Alistair Overeem is a relatively quiet, soft-spoken guy. In fact, he’s a pretty nice dude for a guy who is as muscular and scary in the ring as he is. The cocky Badr Hari who had just earlier in the month lost the K-1 World Grand Prix via disqualification was there to get his win back, to get back on track and regain face after his in-ring meltdown, but instead a new star was born in Overeem. Overeem tried his hand against the K-1 World Grand Prix Champion of Remy Bonjasky a few months later and looked scary, but ultimately lacking experience against a tactician like Bonjasky and dropped a decision. That wasn’t the end of Overeem in K-1, oh no, not by a longshot.
The K-1 marketing machine quickly went to work with Overeem, producing perhaps one of the most amazing hype videos that I’ve ever seen for a fighter leading into the K-1 World Grand Prix Final 16. This video showed Overeem on the streets of Holland with his signature mallet that he used to bring to the ring with him smashing a bike into pieces. It encapsulated the fury that we saw in the ring from Overeem, the raw power and emotion that he brought into fights without him having to cut an eloquent interview. After smashing a bike and a camera tripod he pointed to the camera, took a few deep breaths and uttered “Everybody’s gonna die.”
It was beautiful. I remember seeing it at the time and just being awestruck by it. Alistair Overeem held a victory over Badr Hari and nearly defeated then-champion Remy Bonjasky and was going to fight the legend Peter Aerts in the K-1 World Grand Prix Final 16. Overeem was being billed as the outsider, the invader who was looking to usurp the throne that was always held by the best kickboxers in the world for his own. It was a simple, effective narrative that was only exacerbated when he defeated Peter Aerts in the Final 16, securing his spot in the K-1 World Grand Prix.
K-1 did a series of vignettes with Overeem leading up to his entry into the K-1 World Grand Prix, focusing on his raw strength and his crazy, unorthodox training in Holland. While all of that was good, perhaps what was the most effective was showing him eat. Sounds weird, right? But Alistair Overeem is a huge dude who needed a lot of protein and when they sent a camera crew to show him cooking his own food and talking about how he ate horsemeat for its protein value, well, everyone went nuts. Alistair Overeem filmed inside of a tiny Dutch kitchen that he could barely fit inside of cooking horse steaks to prepare for the K-1 World Grand Prix was an image that endures to this day as one of the defining moments in the career of “Ubereem.”
His first fight was to be against the Kyokushin fighter from Brazil that was popular in Japanese karate circuits in Ewerton Teixeira. Teixeira was always a skilled guy who wasn’t the most exciting fighter to watch, but he connected well enough with fans and filled an important role for the organization by representing Kyokushin. The video package that they created leading into that fight hammered home their narrative of Overeem being an “invader” from MMA, showing highlights from his fights with Badr, Remy and Aerts. The visual of Overeem literally bullying around the K-1 legend Peter Aerts and tossing around Remy Bonjasky was a powerful one, so was the interview footage of Badr Hari talking about his loss to Overeem. They also sowed the seeds of Overeem vs. Badr Hari meeting again in the tournament in a rematch for the ages, which played a big role in the 2009 K-1 World Grand Prix.
Overeem scored an absolutely brutal knockout on Ewerton Teixeira with a clinch knee, which helped to lead to the legend of the UBERKNEE and only made Overeem look that much stronger heading into the semifinals against Badr Hari. The rematch with Badr Hari was the story of the show, by far, which overshadowed what would become another Semmy Schilt victory. The real story of the show was that Alistair Overeem’s stock was on the rise and that it was part skill and talent and part marketing and narrative-building. This fight was the culmination of a lot of work and storytelling where a lot of credit should go to Michael Schiavello’s absolutely brilliant narrative-driven call throughout this event.
I’ve heard many a fan decry Schiavello, Sefo and Kogan’s call during that match, or their celebration on-camera after the fight as “cheesey” or “unprofessional,” but the reality was that they were genuinely excited and engaged in the narrative, as was the entire crowd. That finish still gives me chills to this day because of just how perfect of a moment it was. The thing is, I’ve heard a lot of people say that narratives in combat sports are “impossible” because of the unpredictable nature of people getting hit in the face, but the truth is that a deft storyteller will find a way to weave a complex narrative that can be altered along the way to be just as effective.
Due to Badr Hari once again losing his cool in the ring in 2010 he was on a bit of a sabbatical from the sport, leaving the 2010 K-1 World Grand Prix wide open for new blood. The tournament saw a lot of top names involved, including newer names like Tyrone Spong and Gokhan Saki becoming dark horses to win the entire tournament and to bring new blood into the K-1 lineage. K-1 continued their push for Overeem, though, pushing the narrative of Overeem more focused than ever on K-1, but still slightly arrogant and the outsider heading into the 2010 K-1 World Grand Prix.
They focused on his raw strength as one of his selling points. We know in combat sports that raw strength and physique aren’t what makes a fighter “good,” but by pushing this narrative they kept building up Overeem as a larger-than-life character, even having him talking about how he grew up watching Hulk Hogan in WWF.
Overeem, of course, would go on to win the K-1 World Grand Prix, becoming one of the most famous fighters in Japan. His stock also rose within the United States as well, with more and more fans calling for him to step back into the Strikeforce cage to defend the Strikeforce Heavyweight Championship, maybe even go to the UFC and challenge Brock Lesnar in a dream match. In fact, Overeem now had an aura about him when he stepped into the ring. He was the K-1 World Grand Prix Champion and that not only meant something, it meant everything at the time.
Regardless of your opinion of Alistair Overeem, K-1 took a fighter that was talented and driven and helped to push him beyond the level that he was at the time. They helped to make him a star and a featured attraction that they were drawing money off of up until scandal struck and the company lost their television deal and ultimately disintegrated.
Alistair Overeem is simply the last example of starbuilding that K-1 did and how that work that they did on pushing Overeem’s larger-than-life character was able to carry over after his K-1 career and help to build him up to be a living legend in combat sports. Anything that happened after is immaterial, of course, but he was still elevated in part by K-1’s huge push that endeared him to fans across the world. If you were to ask me what is missing from modern kickboxing that K-1 was able to do the answer is simple; they built stars. They made fans care about their fighters while transforming them into characters and building narratives around their fights.
It didn’t matter if these characters won or lost, they were still verifiable draws for K-1 and vital parts of the K-1 ecosystem. Peter Aerts, Ernesto Hoost, Jerome Le Banner, Andy Hug, Ray Sefo and many other fighters won and lost in the K-1 ring but it never mattered because they’d come back and get another chance. They’d get another chance and K-1 would weave stories about these fighters and their upcoming fights that made fans genuinely interested in seeing what came next. These narratives didn’t need to be perfect, they just needed to exist.
That doesn’t exist today. Instead we get training footage, cut-and-dry interviews and a focus on who won and who lost, not the humanity behind who won or lost. Not the story. If you treat a fighter who lost like a human being and tell their story the chances of fans being interested in their next fight is only going to increase. This is why fighters like Aerts and Hoost could have thirty year long careers that included crushing losses but still attract fans to this day.
The sport of kickboxing drew on not just the physical aspect of the sport, but it drew and thrived off of the creativity of the sport. Kickboxing thrived not just by having a good, rock ‘em, sock ‘em product, but by molding fighters into larger-than-life characters that played off of their personalities. It thrived by created narratives for each and every fight to appeal to fans and didn’t rely on fighters to sell their own fights. Kickboxing helped to build these fighters into box office and television attractions and was never left with cards that delivered in action but drew no eyes.
So my answer to the question that is floating around right now as to “Why aren’t fans attracted to kickboxing?” Simple, nobody is doing anything to make fans care.
Well, some feuds just die hard, don't they? The last time that Peter Aerts and Ernesto Hoost stepped into the ring with each other it was 2006 and things were very, very different. Now it is 2014 and while Peter Aerts may be preparing for a fight with Freddy Kemayo in August, that doesn't mean that he can't look to the future. That future is October where he's slated to square off against fellow legend Ernesto Hoost in Osaka, Japan.
Hoost and Aerts will be competing for the WKO Heavyweight Championship. [source]
This is where things are for Kickboxers who want to compete in Japan and get paid by their sponsors with K-1 still not 100% up and running, in a professional wrestling ring. On August 27th there was an unprecedented number of K-1 fighters participating in professional wrestling in Antonio Inoki's IGF promotion. Yuichiro "Jienotsu" Nagashima, Ray Sefo, Jerome Le Banner and yes, Mr. K-1, Peter Aerts. Le Banner is currently the big star of IGF, serving as Antonio Inoki's Champion, he was originally slated to defend his title against Josh Barnett, but Barnett was forced to pull out due to scheduling difficulties with his fight in Strikeforce, so Kazuyoshi Fujita stepped in for him. Peter Aerts 'fought' former sumo wrestler Shinnichi Suzukawa and brutalized him until the referee stopped the match. [source]
There are not many men who epitomize an entire sport or way of life quite like Peter Aerts does for K-1. In the world of Kickboxing, Aerts is a legend with a whopping three K-1 World Grand Prix victories under his belt and out of all of the years of the WGP happening, only missing one year. It is safe to say that Peter Aerts is cut from a different cloth than everyone else is, and that he was born to be a fighter. To say that Aerts does not like to give interviews is an understatement, especially when it comes to interviews to international media, so when we got the green light from Peter’s wife, Esther, it came almost as a shock to us.
We caught up with Peter Aerts after he landed in Japan last week, in preparation for last week’s Inoki Genome Federation professional wrestling event. We were lucky enough to discuss some current events with him, on a wide range of topics from his retirement, the state of kickboxing all the way to pro wrestling. Peter’s whole career has been full of hefty challenges, and in his final fight it will be no different, as he challenges the young and dangerous Tyrone Spong. The question was burning in my mind, why would Peter Aerts take such a tough opponent for his last fight, although he made the answer sound so simple.
My god, the news about GLORY 13 just keeps on flowing, which might be taking some attention away from GLORY 12, but hey, news is news. Today GLORY updated their site with at least part of the GLORY 13 Tokyo card and man this one looks amazing. I guess my only real qualms with this is that two of the bigger fights are on the Super Fight Series, which means probably not airing on the broadcast and we'll have to wait a few weeks to view them.
I really don't know how I feel about waiting for Peter Aerts vs. Rico Verhoeven and Remy Bonjasky vs. Anderson Silva.
Our good friend and combat sports veteran announcer Michael Schiavello also happens to be one of the better combat sports writers out there when he wants to be, which should make a lot of people take notice. Schiavello does this in his free time, in between jetsetting all over the world and calling nearly every awesome combat sports show not under the Zuffa banner in the world. What I am saying is, take note, MMA writers.
Schiavello take a look at ten of the best kicks outside of MMA, which he rightfully so, has labeled the "Showtime Kick" by Anthony Pettis at WEC's finale event as the best MMA kick. He runs the gambit, from Muay Thai strikers like Enriko Kehl and Saenchai to kickboxing legends like Andy Hug and Remy Bonjasky, Schiavello covers it all.
One of my favorites that he covers is Andy Hug's Tornado kick to the leg of Mike Bernardo in 1996.
What makes Hug’s variation so special is that he threw the kick to Bernardo’s thigh, rather than delivering, as is usual, to the opponent’s midsection. No sooner had the kick been thrown did it become an international sensation and everyone in the world began attempting spinning back kicks to the thigh (just as we’ll no doubt see many Pettis “Showtime Kick” clones). To this day, however, in my many years of watching and commentating combat sports, I have never seen another fighter execute a spinning back kick to the thigh for a knockout. Take into consideration that Hug performed this technique against the more highly-fancied Bernardo in the final of the biggest martial arts competition on Earth and you can appreciate the complete spectacle of this technique.
This kind of came out of nowhere and is a bit strange.
On May 29th in Dubai an event is happening, called Global FC 3, which will feature a one night, four man Kickboxing tournament. The winner of the tournament will take home 1 million UAE dirhams (approximately $272,000 USD). The participants thus far are strange, to say the least. Announced for the card are Badr Hari, Peter Graham and Peter Aerts. The other big name announced via a press release was ring announcer Michael Buffer.
When we know more about this we will be sure to report on it.