Self worth is something that is hard to describe, especially in an oppressive environment with no end in sight to the abuse. Even worse is when the world is allowed to look in through a picture window and witness the horror that is a life in chains, only to look on with astonishment, without being able to directly interact. It was the same predicament that Billy Pilgrim found himself on Tralfamadore as a human exhibit in a zoo. Billy Pilgrim had the dignity of being unstuck in time and understanding the non-linear nature of the fourth dimension which is time, much like a Time Lord would.
Be it a symptom of post-traumatic stress or a true awakening, Slaughterhouse-Five protagonist Billy Pilgrim's Tralfamadore exhibition exposes how we, as a collective society, view the exceptional figures in the world. We view them as larger-than-life dolls, playthings that live out our fantasies like shadow play on the wall before bed time as a child. The tralfamadorians were hands off in their approach to enslaving Billy Pilgrim and locking him up with Montana Wildhack, where they copulated for their intergalactic onlookers and spawned a child. In a way, the existence of the tralfamadorians did not matter to the narrative Pilgrim spun.
Whether it was escapism, a protest against free will or a way to mentally write off infidelity, Buakaw Por Pramuk is not behind the glass window, us peering into his dysfunctional life with a beautiful porn actress birthing children like Billy Pilgrim was. Buakaw, like Pilgrim, was changed by the battle scars from war and society, with his inability to escape suffocating him into accepting a fate less fitting for someone of his stature. If you watch Kickboxing for Muay Thai, Buakaw Por Pramuk is a hero, a truly exceptional person whose fame and abilities are something to marvel at. Be it you kicking the pads at a gym with a poster of him on the wall or channeling his attitude and style into your mundane daily tasks, if you know Buakaw you know his influence.