Glory 17 is a turning point for Glory in many ways, marking its entry into the American PPV market by staging the largest, most significant kickboxing tournament on American soil in decades. But even more noteworthy than that, this event signifies the opportunity for Glory to truly distinguish itself as a unique combat sports product that is capable of delivering where other brands may falter, particularly the UFC. The UFC’s present difficulties are well known: problems with a ballooning roster, complaints about “boring” fights, and problems marketing fighters have led to great inconsistency in the quality of UFC events. Glory, on the other hand, has experienced few to no difficulties in this regard--and for very interesting reasons. In this article, I will talk about some of the things that I think make Glory a fairly unique entity in the combat sports world.
1. Each Glory weight class has more elite fighters than a single card can accommodate.
The Last Man Standing tournament is essentially a display of the entire Middleweight division, and it is a scary division, featuring Artem Levin, Joe Schilling, Simon Marcus, Wayne Barrett, Filip Verlinden, and Melvin Manhoef as well as dangerous contenders like Alex Pereira--all of these men are either champions, former champions, or fighters who have distinguished themselves against championship-level competition. Whereas some promotions might struggle to fill fight cards with less accomplished talent, Glory has the unique problem of struggling to fill fight cards with overqualified talent, bumping the likes of Levin to the non-televised SuperFight Series. If you ever find yourself wondering why a fighter like Giorgio Petrosyan gets to occupy the fourth slot on the Glory main card, it’s frequently because any Glory card could offer you a choice of several main event fights.
2. Glory has complete control of the rules of the sport.
No matter how many three or four-letter-name sanctioning bodies Glory will claim accountability to, the fact remains that Glory, as an organization in today’s combat sports market, is unique because of the complete control that it has on the rules of the sport. By frequently changing its clinch rules, its knockdown rules, and its 8-count rules, Glory has crafted and refined a viewing experience that is more fast-paced and exciting, producing a high volume of memorable fights and highlight reel moments. This is an ability that neither the UFC nor any other MMA organization possess, and the end result for them is a perpetual struggle to reconcile the Unified Rules of MMA with the type of fights that UFC wants to sell. Glory, by contrast, can eliminate any rule that negatively affects the viewing experience.
The flipside is that we also don’t have to talk about drug testing in the sport of Kickboxing. Glory is in a peculiar position here as well, operating between the lines of an oversight structure that is very dated and arguably unequipped to handle a multimillion dollar professional sport. Indeed, WKA’s official rules, published in 2011, leave drug testing up to the discretion of the “WKA supervisor, tournament promoters, and the official doctor,” who “can and may perform tests” but don’t necessarily have to do so unless directed by local law, making WKA’s actual responsibility very unclear. The procedure, standards, and logistics of testing are either mentioned in vague terms or not outlined at all. Glory, for its part, hasn’t forced the issue, leaving us to enjoy the fruits of ambiguity. In other words: don’t ask, don’t tell, and Pride never die.
3. Glory is learning how to market its fighters.
This is an issue that we’ve discussed several times here on LiverKick and which Dave Walsh expounded on in his excellent piece comparing kickboxing to the history of regional pro wrestling promotion. Behind every fight is an evolving narrative with at least two central characters, and as viewers, we’re interested in not only the fight itself but also in how the fight will determine the next chapter of the story. The promoter’s job is to build anticipation and interest in the fight and to illustrate what it means in the grand scheme of the division. With Glory 17, Glory has been proactive in producing media which tells us the story, including an excellent video on the rivalry between Rico Verhoeven and Daniel Ghita. The authenticity of this rivalry (for the critics’ sake) is as irrelevant as the authenticity of the 2009 rivalry between Badr Hari and Alistair Overeem--it felt real at the time and it electrified the atmosphere at the Saitama Super Arena. As Glory gains screen time on television and PPV, promotional efforts like this will be increasingly vital to its success.
While Glory got off to a rough start, it seems like the organization has found its identity as a kickboxing promotion and major combat sports brand. It is undeniably a unique presence in today’s sports entertainment market. If this event is a success and the Glory audience continues to grow, I think that Glory could become a leading company. Until then, you will have to join me in keeping fingers tightly crossed.
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